The Congregational Prayer Service – Prayer Section III
$75.00
Familiarize yourself with the background of the various components that comprise the davening. The repetition of the Amida, the appropriate direction for prayer, who is fit to lead the service, the procedures of Krias HaTorah and much more.
Part III in a Series
.
Table of Contents
Language | English |
---|---|
Paper Type | Research Paper |
Pages | 37 |
Related Products
Beseeching the Creator for His benevolence and salvation is a practice of universal import and value. But how did the uniquely Jewish form of prayer evolve? What was the process by which the first siddurim were designed?
Part II in a Series
אמן׳ – מלה בת שלושה אותיות בלבד הטומנת בתוכה פנינים ומרגליות גם מתורת הנסתר והקבלה. מאמר המשך זה – פרק שני – בגדולתה של עניית אמן סוקר את סוד פעולת הברכה בעולם הספירות ועד המשכתה למטה על ידי עניית אמן. גדול העונה
Joining the congregation in their recital of kedusha is important on many levels. But what should one do if he is still reciting the silent Amida? Or just about to begin? When a worshiper’s private Amida collides with the recital of Kedusha by the congregation, what is the appropriate response?
אמן. מילה קטנה הטומנת בתוכה אוצרות גדולות. המילה שהפכה לביטוי עמקי האמונה, בכוחה להמשיך ברכות וכוחות עצומים. מהו אפוא סודה של עניית אמן? האיך אמור האדם להתחבר אליה במדה מלאה? סקירה מקיפה לאור גנזי הקבלה והחסידות (חלק א).
Prayer has always been a pillar of the Jewish tradition. It is often wondered: if Judaism most values action, what is the significance of uttering liturgy composed thousands of years ago, several times a day?
(includes 30 pages of supplementary material)
Part I in a Series
G-d’s benevolence is all around us. Every day we experience divine salvation whether we know it or not. But sometimes these events truly transcend the natural order for which we owe G-d an additional debt of gratitude.
What is the appropriate way to express thanks to G-d when experiencing deliverance from danger? Is it preferable to do so discreetly or is a public celebration in order? What is the basis for the common custom of inviting friends to participate in a Seudas Hoda’ah (feast of gratitude)?
Related: Thanking G-d for Goodness Parts I and II
One of the focal points of the High-Holiday prayers is the recital of the “Thirteen Attributes of Mercy” revealed by G-d to Moshe as key to arousing divine mercy (Shemot 34:6-7).
The Rishonim labored to identify the precise words of the verse that represent each of the thirteen attributes, yielding multiple interpretations.
Understanding the meaning of these attributes according to the Kabbalistic tradition of the Zohar and Arizal provides for a slightly different division of the words in the verse.
This collection provides some background on the significance of the Yud Gimmel Midos HaRachamim and its mystical meaning.
As an expression of honor and submission, bowing before an authority has always been common. In Jewish prayer, numerous segments are associated with bowing and prostration. What are some of the reasons for bowing during the recital of Modeh Ani, Barchu, the Amida, Aleinu and during the Yom Kippur service?
This broad analysis of Birchas HaGomel takes a modern focus: Does a domestic flight over water trigger this blessing? An international one over land? What about a missed flight that crashes? A look at the basic laws and rational behind Gomel lays the foundation to determine when and why the blessing is required. (See also Thanking G-d for Goodness Part II)
What defines a “dangerous scenario” for which one must recite birkas hagomel? This paper addresses the questions and challenges introduced by air travel, and defines the types of illnesses and levels of recovery that require the gomel blessing.
Piyutim are liturgical poems that are chanted during prayer primarily on the High Holidays, with some dating back many generations. What is their status in Jewish law? Must they all be recited or can they be omitted? What do we know about their origin and evolution? How important is it to adhere to local custom?
The greatest cantorial pieces call for the
repetition of certain words. When is this allowed? What is the issue? And what
role, if any, does the Chazzan play in Chabad philosophy?